Shotlist

Storyboard

B.M W.H

Sound

The two main sounds we will be using in our sequence are diegetic atmospheric sounds and a melancholy piano melody. The music we use has to be quite soft so that we can fade it in and out of scenes that need to be silent/just have diegetic sounds for effect.

As we cannot use copyrighted music, we will be using music from the website www.freeplaymusic.com which has simple piano pieces that we can adapt to our film. 

Examples of music that we may have used if we could use copyrighted music are:

Point of Disgust - Low

Black Flies - Ben Howard

Where is my Mind (the Pixies piano cover)

Hand Covers Bruise - The Social Network

Trying to find replicas of these songs was difficult but so far we are interested in the slow, very simple piano music such as:

'Through Thick and Thin'
'Music Box' 
'Autumn Nights'

W.H B.M

Graphics Research

For our opening credits and title, we would like to use very simple graphics that don't intrude onto the actual images on the screen. For this we would like to use simple font such as 'Arial' but in white so as to be highlighted against the background. 

Example of Arial font:

Willa Hope

Bea Marston

Luke Forryan

Brittany Johnston

We would like the names and credits to be playing throughout the sequence on the left and right hand sides of the screen towards the bottom so as not to distract from the filming. This way the scene becomes less of a title sequence and more of an opening scene containing opening credits. We  have planned to not have the title right until the end after the screen has blacked out and to appear in the middle of the screen in bold font (title is still undecided).

Similar examples of these credits that I found on the website 'Watch the Titles' are:

'Wimbledon'

The font and positioning of the credits in this clip is very similar to what we would like to accomplish in our opening sequence - the credits do not interrupt the film and are in a very simple but bold font. However, if you actually watch the opening it is clear that the sound and imaging revolves around the credits which is something that we would like to avoid as it makes them too obvious.

'The Invasion'

Similar to Wimbledon, this clip also has a similar font and positioning (if slightly high up) to what we would like to achieve. However, due to the computerised images, it becomes more obviously a title sequence rather than actually playing the film.

'30 Days of Night'

I really like the positioning of the graphics within this clip and the font is very clear and bold yet simple. However, in our sequence we plan to use more action in the actual filming during the credits compared to the still photos in this scene.

'Kid Svensk'

Due to the way the credits work with the actual filming and imaging within this sequence, overall it is the most similar to what we want to achieve. The sequence contains dialogue and movement while the credits are going on as well as advertising the credits without making them too obvious. The sequence also ends with a black out to the title which is the same effect we want to replicate. 

W.H

Costume

Jasper Thomas will be wearing casual clothes like this when being pushed into a police car: he will be in casual wear, because he will not be expecting the arrest. We want to make it as clear as possible that he is living his normal life, simply going about his day to day routines and is unexpectedly interrupted by the arrest/the police.

And for the court scene: a loose fitting suit, to make him seem small and vulnerable and perhaps innocent looking.

B.M

Ident Research

For our film opening, we are going for a low budget, indie film sort of vibe. We will hopefully achieve this by creating an ident which is now too showy and bright.

Some examples of the 'big six' big budget idents from Hollywood studios are:

Twentieth Century Fox

Paramount

Universal

Warner Bros

Columbia Pictures

Walt Disney Pictures

To avoid looking too mainstream and high budget, we can avoid using big showy and elaborate idents. Some examples of lower budget and perhaps more arthouse-like idents are ones such as:

Svensk Filmindustri

Mosfilm

Les films du lonsange

Cuba Pictures

BBC films

UK film council

We are going to aim to make our ident more similar to these ones, because we are going for a deliberately gritty and low budget feel, also it is set in largely grey areas of London, similar to films such as 'fishtank' and 'shifty'.

B.M

Costume

Ally Quinn will be wearing tracksuits and running gear like this

And for the her court outfit:

B.M